What Art Do I Make?

I create freehand, unplanned architectural drawings—abstract cities and structures born from a spontaneous flow of ink. Each piece begins without a blueprint, guided instead by intuition and repetition. Over time, I’ve discovered that when these drawings are rotated or viewed from different angles, they often evoke pareidolia: the human tendency to see faces in patterns. These “emergent properties” aren’t intentional, but they’re deeply fascinating—like hidden characters waiting to be found in the geometry.

My process is rooted in routine. For over three years, I’ve committed to drawing with the same medium, at the same time, every day. This discipline has become a kind of lab bench—a place to experiment, fail, repeat, and evolve. Mistakes are welcome. They’re part of the art teaching growth.

Who Is This For?

My art is for everyone. On the surface, it’s playful and cartoonish—goofy buildings and cheerful forms that invite curiosity. But beneath that exterior lies a deeper puzzle. Students of architecture, geometry and art may find familiar patterns and spatial illusions that challenge perception. It’s art that rewards contemplation, inviting viewers to rotate the page, trace the lines, and uncover something new.

Whether you’re a child doodling for joy or a designer decoding structure, there’s something here for you.

What Impact Do I Want My Art to Have?

I want my art to be a mirror for process and persistence. It’s a visual journal of what happens when you commit to a medium and let it teach you. Through repetition, muscle memory, and the willingness to destroy and rebuild, I’ve learned that creativity isn’t about perfection—it’s about exploration.

Each drawing is a snapshot of a moment in that journey. Some are elegant, some chaotic, some broken—but all are honest. I hope my work inspires others to embrace their extremes, trust their instincts, and find beauty in the unexpected.